swayart21:

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Raccoon City 1998

Love the Resident Evil 2 remake , wanted to do a before the outbreak concept with 90s looks. This was so much fun to create

hawberries:

bubblegum and marceline have meant a lot to me for many years now – i’m so glad they get a happy ending 💖🖤

(please forgive this self-indulgent drivel, sometimes a girl has needs)

siekka:

“He is witty, graceful, lovely to look at, lovable to be with. He has also ruined my life, so I can’t help loving him — it is the only thing to do.”

— Oscar Wilde about Alfred Douglas, from a letter to Leonard Smithers - October 1, 1897.

captain-flint:

I was so fortunate that I got to be in her gravitational field even for a moment. - Oscar Isaac

leepacey:

osterzoned:

@leepacey ur dashcon post made the cut lmao

this meme is gonna make me a star

deluxetrashqueen:

deluxetrashqueen:

I’ve said it before, I’ll say it a thousand more times: No piece of dystopian fiction has ever been a prediction of the future. They are observations and criticisms of the present. 

“Wooow! How did Orwell predict the surveillance state so well in 1984??” 

He didn’t. He was making an observation of the surveillance state that already existed in his present, and exaggerated it to make the metaphor obvious.

Learning and discussing these works in terms of them being predictions and having test questions like “do you think his prediction came true?” is not only pointless, but actively counterintuitive. When you frame these works as being ‘people from the past knew that the future would be terrible’ you shift the entire perspective to one of some kind of nostalgia for a past that didn’t exist. 

These author’s aren’t oracles. They’re satirists. Their predictions ‘come true’ because they were already true when they wrote them. 

mermaidenmystic:

Leopold Schmutzler (Bohemian-born German painter, 1864-1941)

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